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Please see extended rules for appropriate alternative subreddits, like,, etc. Or use the Related Subreddits buttons in the sidebar. • Encouraged We love original content and self-posts! Thoughts, discussion questions, epiphanies and interesting links about authors and their work. We also encourage discussion about developments in the book world and we have a flair system. • Important We don't allow personal recommendation posts. Download Ebook: gore vidal in PDF Format. Also available for mobile reader. Visit Gore Vidal’s page at Barnes & Noble® and shop all Gore Vidal books. Explore books by author, series, or genre today and receive FREE Shipping on orders $25 & up. ![]() You can ask in our Weekly Recommendation Thread, consult our or page, or post in. • Please report any comment that does not follow the rules and remember that mods have the final say. Weekly Thread Calendar Day Frequency Feature Monday Weekly Tuesday 1st of the month Wednesday Every other week Genre Discussion: Wednesday Every other week Literature of the World: Friday Weekly Sunday Weekly Upcoming AMAs: Other Links: Follow our for updates on AMAs and the day's most popular posts! Spoiler Policy: • Any post with a spoiler in the title will be removed. • Any comment with a spoiler that doesn't use the spoiler code will be removed. • Any user with an extensive history of spoiling books will be banned. • Spoiler tags are: #s for example: is done with: [Spoilers about XYZ](#s 'Spoiler content here') Filter by Flair • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Check out our Megathreads for and. ![]() Depends on what you want to read. I think Messiah and Burr are fantastic, and very different, novels. Burr is the best of his historical fiction that I've read so far, and Messiah is his very interesting look at how a religion is inventedand takes over. If you want non-fiction, I'd recommend Inventing a Nation or his essays. I don't particularly like the selection in _The Best of Gore Vidal_I'd recommend The Last Empire. United States, the omnibus of his essays from 1952-'92 has excellent, excellent work in it, but is probably a bit much for someone who hasn't read his essays before. Finally, Point to Point Navigation, one volume of his memoirs, is fantastic, especially as an audiobook. Vidal recorded it himself, and it's a real joy to hear him read his own work. (Worth it just to hear his FDR impression.) • • •. Of his fiction, Burr inaugurates his big series of novels about American politics and it's a great read. Lincoln, the follow-up, is also very much worth reading. (And if you enjoy those, you'll probably wind up reading the entire 'Narratives of Empire' series that those books inaugurate.) In addition to politics, he was well-known for his commentary on American sexual life, and The City and the Pillar (a controversial early gay novel) and Myra Breckinridge are both good reads - City has pathos, Myra has devilish wit. Aside from the fiction, though, his essays are wonderful. His best work in this area is collected in the magisterial United States: Essays 1952-1992 book, and The Last Empire is a good follow-up that collects more of the same. The nonfiction, to me, is the best of his work, and it's here that his voice really comes through: he was great at analyzing phenomena like sexuality in American life (e.g. His great polemical essay 'Pink Triangle and Yellow Star') and the doings of politicians, but equally good at looking in-depth at literary culture. And his humor! United States includes a couple of the funniest pieces about books I've ever read - one chronicles the top ten New York Times bestsellers with a jaundiced eye, and his review of Robert Penn Warren's Band of Angels I won't even describe. Aside from all that, he had a generous tendency to champion half-forgotten writers - I suspect his advocacy of Dawn Powell's work played a large role in getting her work into the Library of America series. He also has a couple of fine memoirs that are well-written and full of compelling literary and political gossip: Palimpsest and Point-to-Point Navigation.
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After you’ve sold to an editor a few times, it’s assumed that you’ll follow through on an assignment. Never mind that your daughter forgot her piano book, the dog threw up on the carpet and a really crabby customer decided to unload on you right before you got off work. There’s a blank page waiting for your article. Get it written, or you may never write for that editor again. ↓ • atwhatcost That’s because of how you presented it. I suspect you started with “I have a vampire story” or “It’s a story about a vampire.” If it’s different, it isn’t. ![]() It’s a story about _______, who _______, but _______. Oh yeah, and he/she’s a vampire. For instance, my story is about a large group of Americans who were outcast when the government made them illegal. This is how they banned together to build their own community away from society, and how they struggled to survive, while dealing with being ostracized. Oh yeah, they’re stuffed animals. Another assumed fact is don’t write stories about anthropomorphic animals. ↓ • jotokai Yeah, that’s exactly how I felt, and I love vampires — but they do need to be tweaked. There’s one recent adaptation that I found interesting. This particular version really stepped outside of the mold on the story. First, the vampire infestation is treated by the CDC. Second, the bodily fluids travel in the opposite direction. Oh, and this author (or group as the case may be) found a particular dial you forgot to mention: this group of vampires aren’t called vampires. I’m talking about Helix, on the Sci-Fi Channel. Definitely the first season is based off vampires, in my humble opinion, down to the fact that the contagion is an attempt by a group of powerful immortals to increase their power in the world. ![]() If you cut and paste the whole rulebook, with no additions, you’ll find that you’re either writing fanfiction, or parody. 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In an age where women are expected to be high-achievers, Sophie desperately wants to be a good widow - a graceful, composed Jackie Kennedy kind of widow. Alas, Sophie is more of a Jack Daniels kind. Guzzling cartons of ice-cream for breakfast, breaking down in the frozen food aisle of her local supermarket, showing up to work in her bathrobe and bunny slippers - soon she's not only lost her husband, but her job and her waistline. With nowhere to go but up, Sophie leaves California for Oregon and after several false starts opens. Elinor Mackey has always done the right things in the right order-college, law school, career, marriage-but now everything's going wrong. After two painful years of trying, Elinor has learned that she can't have children. ![]() ![]() ![]() Apr 12, 2004 Himmelblau und Rabenschwarz has 25,679 ratings and 1,367 reviews. Saleh said: Onvan: Good Grief - Nevisande: Lolly Winston - ISBN: 446694843 - ISBN13. 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Address: 901 North Main Street, North Carolina United States County: Phone: 336-883-3631 Connect to: ✔ Library details: High Point Public Library is a Public library. This library is affiliated with (). The collection of the library contains 258,973 volumes. The library circulates 911,012 items per year. The library serves a population of 105,493 residents. Permalink: (Use this link to refer back to this listing.) Organizational structure: This is a publicly funded and managed library. See also: See also. ![]() High Point Public Library (member of the. High Point Public Library experienced a huge influx of readers interested in the library’s eBooks due to the. The Greensboro Public Library offers access to an extensive collection of downloadable audiobooks, e-books, and e-videos in partnership with the North Carolina. ![]() ![]() I need your help in writing my next book! As you may know, the book I have coming out in April is entitled, Behind Those Eyes: What’s Really Going on Inside the. Learn tips and tricks on how to write an eBook from scratch, write every day and actually finish it in 30 days. Usually, I really enjoy talking to people about their book concepts. Some have very good ideas and just need help. However, occasionally there are those calls which frustrate me beyond belief. One occurred today I was right in the middle of the second to last chapter of a book I’m ghostwriting for a client when the phone rang. I don’t like to be interrupted while writing as it breaks my creative flow, but I worried that it might be a writer with a question, so I picked up. “Hello?” I asked. ![]() “Is this Laura Sherman?” the young woman demanded. First of all, I dislike it when people don’t bother to identify themselves before asking me for my name when they call. “Yes, it is,” I said, letting it slide. She didn’t seem like a telephone solicitor. “I found your website. I want to hire a ghostwriter to write my book, because I just don’t have the time to write it myself.” “Great,” I said. That was a common plea. “And to whom am I speaking?” She paused for a moment, probably weighing the pros and cons of telling me her name. “Joyce.” (Okay, that wasn’t really her name, but I’m a ghostwriter, so I can embellish.) “Hello, Joyce,” I said. “What’s your book about?” “My life story,” was all she offered. “I just want to know the steps involved with hiring someone to write my book.” I gave her a brief overview of how the process works, letting her know it would probably require thirty to forty interviews, spread out over an eight month period. I explained how it takes a ghostwriter hundreds of hours to write a book. She asked a few more questions then got to the big one. “So, how much will it cost?” “I charge a dollar per word,” I said. “What’s your budget?” “I don’t have a lot of money to spend.” Just what every ghostwriter wants to hear. “Well, how much did you want to spend?” “I don’t know, maybe a thousand dollars? I know that probably isn’t enough, right?” “No, it isn’t,” I said. No one can charge a thousand dollars for six months work, not even starving ghostwriters. “Look, I know a few editors who are looking to branch out into writing. If you’re interested in writing a short, one-hundred page book, I could talk to one of them about maybe coming down to five thousand dollars. That’s low, but possible.” “I don’t have that kind of money.” “Then you’ll probably need to write the book yourself,” I said. “If you did manage to find someone willing to write your book for a thousand dollars, it probably wouldn’t come out well. Then you’d be stuck hiring someone else to rewrite it.” She then asked me what would happen after the book was written and I gave her a rundown on what an author needs to do to sell a book, such as creating and maintaining marketing websites. “I’m not good with computers, so I can’t do any of that,” she said. “You’ll want to learn then,” I said. “Even if you get a publisher, you’ll need to do your own marketing. It isn’t hard, though. And I can help you when the time comes.” Apparently, she didn’t like my answer, as she said, “So, how can I find a ghostwriter?” “As I said, if you’re able to scrape together five thousand dollars, I can ask around for you.” “But that would be for a good writer,” she replied. |
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